"Raw Stories, Real Cinema"
I entered the world of filmmaking just three years ago, but it quickly became clear that this is my true calling. I am passionate about catalysing and telling stories that resonate and inspire, believing that films have the power to shape and influence entire countries. As a producer and Director of Photography, I strive to create work that captures the depth of the human experience. There’s something inherently human about storytelling through film—a timeless craft I am committed to mastering for the rest of my life.
““Movies will be one of the last things, if everything gets replaced, to be replaced by AI.””
5 x Oscar qualifying nominations
for “A Clay Horse”
A Clay Horse (Co-producer)
A Clayhorse directed by Abdullah Khan is a captivating short film that explores the complex theme of child abuse through striking storytelling. As co-producer, I played a key role in overseeing production, managing logistics, and ensuring smooth operations, contributing to its nominations and awards at over 5 Oscar & Bafta qualifying film festivals like Tirana Film Festival, Tasveer, Odense Film Festival and many more.
The Dog (Producer)
Producing The Dog was a transformative experience where I learned to collaborate with specialized departments like intimacy coordinators, special effects teams, and stunt coordinators. Each brought unique challenges and required me to adapt and grow in my role as a producer. I gained insight into ensuring actors felt supported during sensitive scenes, working with effects teams to align creative visions with practical solutions, and coordinating stunts to prioritize safety without compromising excitement. This project deepened my understanding of the complexities of filmmaking and strengthened my ability to manage and support diverse creative teams effectively.
A Hopeless Dawn (DOP)
In just three weeks, Hopeless Dawn went from concept to completion, and as Director of Photography, I was at the forefront of bringing this emotional journey to life. From pre-production to post, we worked quickly and efficiently to craft a visual narrative that matched the film’s intense themes. During pre-production, I collaborated closely with the director to establish the visual tone, selecting the right lighting, locations, and camera setups. Throughout production, we pushed creative boundaries to capture the raw emotion of the story. In post-production, I worked meticulously on color grading and shot selection to enhance the film’s visual depth and impact, ensuring that every frame resonated with the audience. Despite the tight timeline, our dedication and teamwork created a powerful, cinematic experience.
Jail Party –Debut as DOP
Jail Party marked my debut as Director of Photography, where I brought the film’s chaotic energy to life through bold compositions and dynamic lighting. Collaborating with the director, I balanced creativity with technical precision, making this project a defining moment in my journey as a cinematographer.
How to get a job (Line Producer)
As line producer for How to Get a Job, managing a production that spanned over 10 locations and involved a large team came with its own set of challenges—one of which was ensuring over 20 crew members were well-fed and energized. Coordinating catering and meal schedules across multiple locations required detailed planning and flexibility. By keeping the crew supported with good food and clear communication, I maintained morale and productivity on set, ensuring the project ran smoothly while fostering a collaborative and positive environment. Sometimes, feeding the team is just as important as feeding the creative process!
Ghoor K Na Dekho (DOP)
Working as Director of Photography for Ghoor K Na Dekho was deeply personal for me. The film addresses the pervasive issue of how women are stared at in public, a topic that resonated with me profoundly as someone with three sisters. Through thoughtful framing and emotive visuals, I aimed to highlight the discomfort and importance of this message, ensuring every shot carried the weight of the narrative. This project wasn’t just a film—it was a chance to contribute to a conversation that matters deeply to me.
Walls Within (Line Producer)
As line producer, I managed the logistics, schedules, and budgets to bring Walls Within to life. Balancing creativity with organization, I ensured the team had everything they needed to tell this powerful story seamlessly.